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DJ Fresh Ableton Live 12 jungle fill blueprint with jungle swing (Advanced · Groove · tutorial)

An AI-generated advanced Ableton lesson focused on DJ Fresh Ableton Live 12 jungle fill blueprint with jungle swing in the Groove area of drum and bass production.

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1. Lesson Overview

This advanced lesson teaches a practical DJ Fresh Ableton Live 12 jungle fill blueprint with jungle swing — a complete, production-ready method for building fast, punchy drum & bass fills that groove like jungle but sit modern DnB-style in the mix. You’ll learn how to slice classic breaks, create a swung “jungle” micro-timing, program fills that alternate straight vs swung feel, layer percussive accents, and use Ableton stock devices (Simpler/Slice, Drum Rack, Beat Repeat, Groove Pool, Drum Buss, Echo, Compressor) to shape character and movement.

2. What You Will Build

A 1-bar and 2-bar jungle-style drum fill blueprint at 174 BPM that grooves with jungle swing.

A Drum Rack patch of sliced break slices + toms + swung hi-hat subdivision.
Two clip variations: main groove (tight DnB) and jungle swing fill (off-grid swing, triplet flavor).
A useful performance-ready Rack using Drum Buss, Saturator, Echo, and Beat Repeat for on-the-fly variations.

3. Step-by-Step Walkthrough

Set the session: tempo, samples, and track layout

Tempo: set Live to 174 BPM (typical DnB/jungle range). Create 1 MIDI track for Drum Rack (Drum Rack), 1 audio track for raw break sample (for extraction), and 1 return track for Echo/Reverb.
Import samples: choose a chopped amen-style break or jungle break you can legally use. Drag the full break into an audio track and set Warp to Transient mode (Complex Pro or Beats if you prefer slice precision).

Slice the break and map to Drum Rack

Right-click the audio clip and choose Slice to New MIDI Track > Transients (Slice to New MIDI Track uses Simpler/Sampler approach). In Live 12 you can set Slicing Preset: “Slice to MIDI using Simpler (One-Shot)” and set slice size to Transients.
This creates a Drum Rack with each slice mapped. Rename a few key slices: kick-ish, snare-ish, ghost snare, hat, tom-1, tom-2, cymbal.
Optional: convert the created Simpler slices to Sampler if you want more pitch envelopes and loop modes.

Create your base DnB groove (reference clip)

Load Drum Rack into a MIDI clip (1 bar) with classic DnB pattern: kick on 1 and the “&” of 2 (or 1 and 3 depending on vibe), snare on 2 and 4, shuffled hi-hat 16ths or 32nds. This gives a tight baseline groove to contrast with the jungle swing fill.
Add slight velocity variation: use MIDI editor to randomize hi-hat velocities around 80–110. Insert a Drum Buss on the Drum Rack channel: Drive ~6–10, Boom ~10–15, Transient shape medium to keep punch.
Add EQ Eight to notch any mud (low-pass tom tails under 250Hz), and a Glue Compressor (fast attack, 2:1 ratio) for glue.

Design the jungle swing feel (Groove Pool + manual micro-shifts)

Open Groove Pool (Cmd/Ctrl + Shift + G). Create two grooves:

- Groove A (Main): set Timing 40–50%, Random 5%, Velocity 8–12%, Base 1/16. This preserves a modern DnB swing but keeps it tight.

- Groove B (Jungle Swing Fill): set Base = 1/16T (triplet subdivision) or 1/32 for more micro-swing; set Timing 70–90% (push/pull to create pronounced swing), Velocity 20–35% (accent swing hits), Random 10–20%. Adjust Timing sign to push slightly before or after beat (negative moves earlier).

Drag Groove A to your reference groove clip. For fills, drag Groove B to the fill clip. You can also enable “Timing” and disable “Velocity” if you want to manually control dynamics.

Program the jungle fill MIDI clip(s)

Create a 1-bar fill clip (or 2-bar for variation) where you:

- Use triplet-based roll patterns on sliced snare/tom pads: program 16th-note triplets (1/16T) or 32nd/24th micro subdivisions for rapid rolls.

- Place ghost snare hits and off-beat tom accents slightly later than the subdivision to emphasize swing (Groove B will do most of this).

- Layer a pitched tom stab under every fourth note: duplicate a slice and transpose −3 to −7 semitones, lower velocity slightly to simulate analog pitch-slide.

Use velocity to control pitch if using Sampler with pitch envelope keyed to velocity — map Velocity to the Transpose macro for subtle pitch rise on louder hits.

Add humanization: micro-timing and velocity

For the fill clip, after applying Groove B, manually nudge selected notes +/- 5–18 ms (or ±1–3 grid ticks) to taste. This manual micro timing adds the “jungle” lurch.
Randomize velocities slightly for rolls: use the clip’s Velocity Editor or the Velocity MIDI effect with range ~10–15.

Dynamic fills with Beat Repeat and clip automation

Create a Drum Rack chain for the slice you want to glitch. Add Beat Repeat after Drum Buss (or on a Send for parallel).
For live fills: set Beat Repeat Interval to 1/8 or 1/16, Gate ~1/4–1/8, Grid 1/32T or 1/16T, Variation 30–50, Chance 70–90. Use the “Interval” and “Grid” macros mapped to Macro knobs so you can tweak in performance.
Automate Beat Repeat on/off or use an automation lane for the Macro that controls Grid to trigger stuttered micro-rolls in the fill bar only.
Use Loop recording or clip automation to change the Fill clip’s Groove — apply Groove B only to the last bar where the fill hits.

Layering and texture: hats, cymbals, vinyl noise

Add an auxiliary layer of swung hi-hats at 1/32T with small delay offsets: duplicate a hi-hat slice, move it 5–12 ms after the main hat to simulate shuffle.
Add a reversed cymbal or short noise hit before the drop or fill end: reverse in Clip view, set transients and apply Glide via pitch automation if needed.
Add light Convolution Reverb or Hybrid Reverb send: short size (0.2–0.8 s) and high damping for tails that don’t wash low end.

Tuning the groove in context

Route drums to a Group track. Sidechain compress the synth/bass elements with Kick and primary snare via Compressor (Sidechain from Kick/Full Drum Bus) to maintain clarity.
Compare the filled bar against the mix: bounce the fill to audio and warp in Complex Pro if you need to tighten the micro-timings after applying Groove for sample-based manipulation.

Performance Rack: swapable fill types

Build an Instrument Rack on the Drum Rack track with macros:

- Macro 1: Fill Type — maps to on/off for two chains: “Straight Fill” (no Beat Repeat, minor pitch roll) and “Jungle Swing Fill” (Groove B applied, Beat Repeat engaged).

- Macro 2: Swing Amount — map to Groove Pool timing via Hot-Swapping? (Workaround: map macros to rack chain selector which switches between pre-bounced MIDI clips with different groove amounts). Alternatively map to an LFO device modulating a small timing offset using the MPE/Note Envelope if you're using Sampler.

- Macro 3: Echo Wet — maps to Echo/Dry on a send for fill tails.

Save this Rack as a template patch named “DJ Fresh Jungle Fill Blueprint”.

Fine-tuning the mix

Use Saturator or Drum Buss to taste: add soft clipping on fills to accent transients (Drive small, Soft clip on).
Low cut everything below 80–120Hz on toms and mid-high break slices; leave kick and sub separate.

4. Common Mistakes

Over-swinging the entire beat: applying heavy Groove B to all clips kills forward motion. Use it only on fill clips or selectively on elements.
Too much Beat Repeat: long Gates or high Chance make fills sound chaotic rather than rhythmic. Keep Beat Repeat short on fills (1/8–1/16 gates).
Over-compressing fills: heavy compression can flatten transient detail. Use parallel chains for heavy compression and keep dry signal for attack.
Not checking phase when layering pitched slices: transposed layers can create destructive phase cancellations. Use Utility phase invert if needed or offset by a few ms.
Relying only on Groove Pool: groove gives a basis, but manual micro-nudges and velocity shaping are essential for a believable jungle swing.

5. Pro Tips

Extract a real jungle groove: drag an audio loop with the swing you like into the browser, right-click the clip waveform and choose Extract Groove. Save it, then apply it selectively to your fill clips for authentic feel.
Convert MIDI rolls to audio and pitch-shift small amounts per repetition to emulate tape-style pitch drift.
Automate Groove swap on the arrangement lane: place different groove templates across the timeline to switch from straight to swung fills mid-track.
Use tiny pitch envelopes (Sampler Transpose envelope with fast attack and slight decay) on repeated slices to simulate tape pitch bends on roll downs.
For extra shuffle, create a micro-delay chain: duplicate the Drum Rack chain and delay the duplicate by 5–15 ms. Pan duplicates slightly left/right to widen the fill stereo image.
Use Echo with rhythmic sync to 1/16T on a send, set Feedback low (~15–25%) and Filter Roll-off to avoid muddy buildup.

6. Mini Practice Exercise

Time: 30–45 minutes

Create a 2-bar phrase at 174 BPM:

1. Bar 1: main DnB groove using Groove A (1 bar).

2. Bar 2: DJ Fresh Ableton Live 12 jungle fill blueprint with jungle swing: create a 1-bar fill using triplet rolls, 2 pitched-tom layers, Beat Repeat stutter on the last quarter-beat, and Echo send dabbed only on the last 4th note.

Save both clips. Bounce the fill to audio and fine-tune micro-timing by nudging the audio clip ±5–10 ms where necessary for the lurch.
Export a loop and compare it against two tracks you admire; iterate groove and texture until your fill snaps in the mix without overpowering the bass.

7. Recap

You now have a DJ Fresh Ableton Live 12 jungle fill blueprint with jungle swing: a workflow for slicing breaks into Drum Rack, building two groove presets in the Groove Pool (tight DnB vs swung jungle), designing triplet-based fills with pitched layers and Beat Repeat for controlled chaos, and integrating Echo/Saturator/Drum Buss for character. Use selective groove application, manual micro-timing nudges, and macro-driven performance Racks to switch between straight and jungle-swing fills in a mix-ready way. Practice swapping grooves per clip and creating short audio bounces of fills for final mix-tightening.

Extra coach notes

Extra Coach Notes

Practical workflow refinements

Prep your Drum Rack like a session instrument: rename slices with a consistent prefix (e.g., KICK_, SNARE_, HAT_, TOM1_, TOM2_), color-code chains and save the Drum Rack as “DJF_JungleFill_Rack” before you start heavy editing. This prevents accidental remapping when you tweak MIDI clips later.
Work in layers. Keep your “core” tight DnB groove on one Drum Rack instance and create a second Drum Rack (or chained Rack within the same Instrument Rack) specifically for fills. That separation makes it trivial to apply aggressive FX and micro‑timing only to fills without affecting the main groove.
Freeze & Flatten or resample fills once you’re happy. Applying Groove Pool and Beat Repeat can introduce CPU spikes and variability; resample the fill to audio (or freeze/flatten the fill track) to commit timing and free CPU while you tweak mix decisions.

Sound design & slice management

Clean slices for pitches/transposes: when transposing toms or snares, use a short fade-in/out (1–8ms) and enable loop crossfades in Simpler/Sampler to avoid zipper artifacts. If you transpose more than ±7 semitones, audition in Sampler with “Sustain” loop off or use warping on audio duplicates instead.
Use pitch envelopes for expressive rolls: in Sampler use the Transpose envelope with quick attack/decay to create subtle downward pitch droops across rapid repeats—this emulates tape pitch drop on repeated hits.
Layer to taste: pair an unprocessed slice (attack) with a heavily-processed copy (body/tail). Keep the attack dry for snap, route the body to a send with Echo/Saturator for texture. This helps the fill snap without getting washed.

Groove Pool & micro-timing: practical tips

Build a small Groove Library with labeled presets (e.g., DJF_Tight16, DJF_Jungle16T_Hard). Save both Timing and Velocity variations; name them with explicit Base grid and Timing % (e.g., “16T_80%”). This speeds auditioning across many clips.
Use Groove Pool as a starting point, then commit timing by resampling to audio. Grooves applied to MIDI can still shift with device latency/automation; rendering keeps the exact micro-move you want.
Combine groove + manual nudges: apply Groove B for the broad swing then go into the MIDI clip and nudge the lead tom/snare hits ±1–3 ticks for that lurch. Don’t rely solely on Groove Pool if you want precise placement.

Beat Repeat & controlled chaos

Treat Beat Repeat as an instrument. Don’t only put it as an on/off; create 2–3 preset chains: “SubtleStutter” (Gate 1/16, Grid 1/32T, Vari 10–20, Chance 60–80), “RollChaos” (Gate 1/8, Grid 1/16T, Vari 50–70, Chance 85–100), and “MicroPitch” (short gate, high variation, routing through Grain Delay/Redux after Beat Repeat for bitcrushed pitch artifacts). Map chain selector or macros to switch between them live.
Use short automation envelopes for Beat Repeat macros rather than enabling the device itself in Session clips. Map the Grid and Interval to macros for expressive tweak during performance.

Creative variations to expand the blueprint

Reverse-attack fills: take the last cymbal or slice of the fill, reverse it, place it just before the fill’s downbeat for a push/anticipation feel. Use a short EQ/low-cut to avoid mud, and send lightly to Echo for a smeared tail.
Half-time jungle fills: duplicate the groove into a Drum Rack chain and use a half-time MIDI clip (play triplet subdivisions stretched over two bars) to create a “large” lurch that works great before a drop.
Pitch-shifted stagger repeat: duplicate the roll to another chain, transpose it −1 to −5 semitones, delay the duplicate 8–15 ms, and pan slightly. This creates a detuned doubling that thickens rapid rolls without adding low-end conflict.
Stereo micro-delay: create a duplicate Drum Rack chain delayed by 5–12ms and invert one channel’s polarity if you get comb-filtering issues. Use Utility width automation to squeeze or widen the fill dynamically.

Mixing and phase-checks

Low-cut smartly: for toms and pitched slices use a slope starting 80–140Hz depending on material. Keep kick/sub clean. If your pitched tom layer adds low energy, high-pass it more aggressively and boost mid presence (300–900Hz) to cut through.
Check phase when layering transposed slices—transpose can mess with waveform alignment. Flip phase on the layered chain or nudge by a few ms to restore transient impact.
Parallel compression for fills: create a parallel chain inside the Drum Rack (dry chain + heavily compressed chain). Set the compressed chain to accentuate tails (longer release) then blend to taste—this preserves transient snap while beefing up body.

Performance integration & Session View tricks

Use dummy clips and follow actions: create a 1-bar dummy clip that triggers your fill clip via follow action or triggers the chain selector automation. This is great for live sets where you want randomized fills but still under control.
Macro mapping: map a single macro to toggle between pre-made fill chains (straight vs jungle-swing) via the rack’s Chain Selector. Map useful parameters to external controllers: Beat Repeat Chance, Echo Wet, Drum Buss Drive — these three give the most musical variety on-the-fly.
Use Clip Legato + Capture MIDI for improvisation: play fills in live, capture MIDI, then drag an ideal take into a pre-configured fill folder for quick recall.

Saving, templates, and organization

Save a template set with your preferred Drum Rack, a Fill Return (Echo), a dedicated Fill Group, and pre-saved Groove Pool presets. Name clips with suffixes: _GROOVE_A, _FILL_B_1BAR, _FILL_B_2BAR so you can quickly drag into any project.
Export short rendered fills (0.5–2s) as a sample pack of your fills—label with tempo and groove (e.g., 174_DJF_JungleFill_1bar_32T.wav). This lets you audition fills across projects without reconfiguring racks.

Diagnostics & troubleshooting

If fills feel off after Bounce/Resample: check warp mode. Use Beats/Transient mode for small timing corrections and Complex Pro for more extreme material. When committing audio, keep an un-warped copy to preserve original timing if you want to re-slice later.
If Beat Repeat stutters drop low-frequencies or creates phasing: put a high-pass (100–300Hz) after Beat Repeat or route Beat Repeat to a send with HP. This keeps the repeat tight and avoids muddy build.
If Groove Pool changes produce unintended velocity shifts: lock velocity in the clip by using the Velocity MIDI effect or manually draw velocities post-groove application.

Advanced modulation ideas

Micro-LFO timing nudges: use a Max for Live LFO (if available) to modulate a very small Delay (e.g., Simple Delay with ms mode) on a duplicate tom chain to create a subtle wobble/push that syncs to triplets for that old-school jungle lurch.
Automate slight detune across repeats: map a small detune (Sampler Fine Tune or a Pitch device) to a macro that you trigger for the final roll—this simulates tape wobble across successive repeats and feeds the ear’s sense of movement.

Practice drills to internalize feel

Drill 1: Make three 1-bar fills: (A) straight 16ths rolls, (B) 16T jungle swing, (C) hybrid (first half straight, second half jungle swing). Compare how much the snare/tom placement changes and note which velocities and nudges cause the most perceived swing.
Drill 2: Build a 4-bar sequence where each bar increases Beat Repeat intensity. Freeze each stage and compare waveforms—listen for where transients start to smear and decide your upper limit for musicality.
Drill 3: Convert a favorite jungle snare roll to your Drum Rack slices and recreate it using only Groove Pool + manual nudges (no Beat Repeat). This trains your ear to make Groove Pool do the heavy lifting.

Context & creative mindset

Think in push/pull moments. The jungle swing should be a deliberate push against the main DnB pulse, used selectively to create tension and release. Overuse erodes momentum.
Consider the fill as an expressive instrument — the same fill can be “tight” or “wild” depending on velocity, pitch envelopes, and echo wetness. Small parameter tweaks often make the biggest musical difference.
When aiming for a DJ Fresh aesthetic, prioritize punch and clarity: keep the low end focused, let the fills occupy the mid-high transient space, and use texture (saturation/echo) in moderation to add character without smearing the bass.

Use these extra notes as a checklist while building and performing your fills: keep things modular, commit often (resample when stable), and treat Groove Pool as a powerful assistant—not the final artist.

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Welcome. In this advanced lesson we build a DJ Fresh–style jungle fill blueprint in Ableton Live 12 — a production-ready method for tight, punchy drum & bass fills that groove like classic jungle but sit modern in the mix. I’ll guide you from session setup through slicing breaks, creating a jungle micro-timing, programming triplet fills, and building a performance-ready Drum Rack with Drum Buss, Echo and Beat Repeat controls.

Let’s begin.

Lesson overview
Set your tempo to 174 BPM. Create one MIDI track for your Drum Rack, one audio track for the raw break sample, and a return track for Echo or reverb. Drag a legal amen-style or jungle break into the audio track and set Warp to Transient mode — or use Beats if you prefer slice precision.

Slice the break and map to Drum Rack
Right-click the break and choose “Slice to New MIDI Track” using transients. Use the Simpler slicing preset so each transient becomes a pad in a Drum Rack. Rename key slices as you go — kick-ish, snare-ish, ghost snare, hat, tom1, tom2, cymbal — and color-code chains. If you need more pitch and envelope control, convert select Simpler slices to Sampler later.

Create the base DnB groove
Load the Drum Rack into a one-bar MIDI clip and program a tight DnB groove: kick on one and the off-beat you prefer, snares on two and four, and shuffled hi-hat 16ths or 32nds. Add gentle velocity variation to hats — roughly 80 to 110 — to keep it human. Insert a Drum Buss on the Drum Rack channel with Drive around six to ten and Boom ten to fifteen. Use a medium transient shape to keep snap. Add EQ Eight to remove low mud under 250 Hz where necessary, and a Glue Compressor with a fast attack and a light 2:1 ratio to glue the kit.

Design the jungle swing feel
Open the Groove Pool. Create two grooves. Groove A — the main reference — with Timing set around 40 to 50 percent, Random small, Velocity around eight to twelve percent, Base set to 1/16. This preserves a modern DnB swing while staying tight. Groove B — the jungle swing fill — use a triplet base, 1/16T or 1/32, Timing pushed to 70 to 90 percent, Velocity higher at 20 to 35 percent, and Random around 10 to 20 percent. Set the timing sign slightly negative if you want hits to arrive earlier for push, or positive to delay them. Drag Groove A to your main clip and Groove B to your fill clips. You can leave velocity on or off depending on how much manual control you want.

Program the jungle fill
Create a one-bar fill clip, or two bars if you want a longer variation. Use triplet-based rolls on snare and tom slices — 1/16 triplets or finer 1/32 divisions for fast rolls. Place ghost snares and off-beat tom accents slightly off-grid so Groove B’s timing and your manual nudges combine into that jungle lurch. For pitched toms, duplicate a slice and transpose down three to seven semitones, lower its velocity and blend these layers under every fourth note to add weight. If you’re using Sampler, map velocity to Transpose for subtle pitch climbs on louder hits.

Humanize with micro-timing and velocity
After applying Groove B, go into the MIDI editor and nudge selected notes by small amounts — plus or minus five to eighteen milliseconds, or one to three grid ticks — to taste. Randomize velocities slightly for rolls with a Velocity MIDI effect or by hand, keeping range around ten to fifteen percent. These micro-nudges are essential — Groove Pool gives a great foundation, but manual tweaks make it feel alive.

Add dynamic fills with Beat Repeat and automation
Create a chain in the Drum Rack for the slice you want to glitch and add Beat Repeat after Drum Buss, or place it on a send for parallel processing. For live fills, set Interval to 1/8 or 1/16, Gate to 1/4 or 1/8, Grid to 1/32T or 1/16T, Variation between thirty and fifty, and Chance seventy to ninety percent. Map Interval and Grid to macros so you can tweak during performance. Automate Beat Repeat on/off or automation map to a macro for the fill bar only. Use clip automation or follow actions to trigger these changes live.

Layering and texture
Add a swung hi-hat layer at 1/32T with slight delay offsets: duplicate a hi-hat slice and move it five to twelve milliseconds after the main hat for shuffle. Drop a reversed cymbal or short noise hit before the fill’s final downbeat to create anticipation. Keep reverb short on drums — use a small convolution or hybrid setting with a size between 0.2 and 0.8 seconds and high damping to avoid low-end wash.

Tuning the groove in context
Group your drum channels. Sidechain synths and bass to the kick and main snare using a Compressor sidechain to keep the low end clear. When you’re happy with a fill, bounce it to audio and use Complex Pro Warp mode only if you need fine timing tweaks — doing this lets you lock in micro-timing and free up CPU.

Performance Rack: swapable fill types
Build an Instrument Rack around your Drum Rack and create chains for “Straight Fill” and “Jungle Swing Fill.” Map a Macro to switch between chains so you can trigger different fill types on the fly. Map Echo send wet to a macro for tails. If you can’t map Groove Pool parameters directly, work around by having pre-bounced MIDI or audio chains with different groove amounts and switch between them with the chain selector. Save this Rack as “DJF_JungleFill_Rack” for quick recall.

Fine-tuning the mix
Use Saturator or Drum Buss sparingly on fills — small soft clipping and drive can accent transients. High-pass toms and mid-high break slices around 80 to 120 Hz, leaving kick and sub alone. Watch phase when layering pitched slices; flip phase or nudge by a few milliseconds if you lose transient energy.

Common mistakes to avoid
Don’t apply heavy jungle swing to the entire beat — use it selectively for fills. Keep Beat Repeat gates short; long gates make fills chaotic. Avoid over-compressing fills; use parallel compression so you can retain attack. Check phase when layering transposed slices and don’t rely solely on Groove Pool — manual nudges and velocity shaping are crucial.

Pro tips
Extract real grooves from reference clips using “Extract Groove” and save them. Convert promising MIDI rolls to audio and pitch-shift slightly per repetition to emulate tape drift. Create micro-delay duplicates delayed by five to fifteen milliseconds and pan them for stereo width. Build a small Groove Library with labeled presets so you can quickly audition feels. And remember to resample committed fills to free CPU and secure timing.

Mini practice exercise — thirty to forty-five minutes
At 174 BPM, make a two-bar phrase. Bar one: a main DnB groove using Groove A. Bar two: a one-bar jungle fill using triplet rolls, two pitched tom layers, a Beat Repeat stutter on the last quarter-beat, and a touch of Echo on the final fourth note. Save both clips, bounce the fill to audio, and if needed nudge the audio ±5 to 10 ms to lock the lurch. Export a loop and compare it to reference tracks; iterate until the fill snaps in the mix without overpowering the bass.

Recap
You now have a complete workflow: slice breaks into a Drum Rack, build two Groove Pool presets — tight DnB and swung jungle — design triplet-based fills with pitched layers, add Beat Repeat for controlled chaos, and use Drum Buss, Saturator and Echo for character. Use selective groove application, micro-timing nudges, and macro-driven Racks for performance. Save templates and resample committed fills to streamline your process.

Final note
Treat fills as expressive instruments — small tweaks to velocity, pitch envelope, or echo wetness change the whole character. Keep things modular, commit often, and use the Groove Pool as your assistant, not your entire solution. When used sparingly, the jungle swing becomes a powerful push against the main pulse that creates tension and release.

That’s the DJ Fresh Ableton Live 12 jungle fill blueprint. Load your breaks, build the Rack, program the fills, and have fun making them snap.

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